Transart Alumnus Rui Guerra’s 2 New Projects

unCloud
The internet has become an increasingly disputed space. Governments want to regulate it and internet providers want to restrict access to parts of it. To help us remember that the internet can exist without governments, we have created unCloud. unCloud is an application that enables anyone with a laptop to create an open wireless network and distribute their own information. In case you are in Belgium, the project is presented at the artefact festival in Leuven. Also feel free to create clouds in your own cities. unCloud is a co-commision by stuk.be and arnolfini.org.

www.intk.com/uncloud

Museum Analytics
Museum Analytics is an online platform for sharing and discussing information about museums and their audiences. For each museum there is a daily updated report with information about online and offline audiences. These reports are an essential tool for communication departments to evaluate and understand their progress. Rui will be presenting Museum Analytics at the conference Museums and the web, San Diego (USA) in March and at the conference Museum Next, Barcelona (Spain) in April.

www.museum-analytics.org

Feel free to contact Rui if you are in the Netherlands and need some guidance. In case you know about opportunities to show software based art projects please let him know at rui@intk.com

Transart Faculty Geoff Cox is Participating in Documenta 13

Transart Faculty Geoff Cox is Participating in Documenta 13.  Please see the following link for more details!

http://d13.documenta.de/#participants/participants/geoff-cox/

Transart Alumnus Damon Ayers’ “Flash Flood” Call for Submissions

Damon Ayers is participating in a dead drop exhibition/ symposium in and around the Philadelphia exhibition space Little Berlin. The field is still open if you want to send something in; anyone is free to contact them, and they are still excepting submissions for the next couple weeks.
Here is the link: http://littleberlin.org/

Transart Faculty Geoff Cox Launches “World of the News” at Transmediale

World of the News – The world’s greatest peer-reviewed newspaper of in/compatible research – Press Release

World of the News – The world’s greatest peer-reviewed newspaper of in/compatible research presents cutting edge in/compatible research in an accessible FREE tabloid format. The newspaper partly addresses academia’s increasing demand for publication of academic peer-reviewed journal articles. Perhaps researchers need new visions of how to produce and consume research?

The content of the newspaper derives from a Ph.D. workshop and conference held in November 2011, at University of the Arts, Berlin (organised by Aarhus University in collaboration with transmediale/reSource for transmedial culture and the Vilém Flusser Archive). This provided an insight into current research from academics, practitioners, and Ph.D. researchers from an open call. Leading up to that event, and subsequent to it, a blog has been gathering draft articles and discussions, reflecting on the key issues. This collaborative ‘peer-review’ process is further developed during the festival itself, on 01 February, 2012. So, although this may seem like old news in many ways, in terms of research practices, it breaks with some of the current academic conventions of peer-review, academic reputation, and what constitutes proper scholarly activity.

In the light of questions such as “how to measure research?” and “what constitutes a knowledge platform?” World of the News addresses the broader context of its own production. These questions are especially important in a situation where the re-organisation of universities across Europe as well as cuts in the cultural sector are being increasingly determined by the market. Unlike education in many countries, the newspaper is FREE.

The newspaper is also the thematic publication of this year’s transmediale festival in Berlin, and follows a previous publication of a peer-reviewed newspaper by Digital Aesthetics Research Centre in 2011, Nyhedsavisen: Public Interfaces. It addresses how different technologies, their cultures of use, and their conceptualisation at once represent compatibilities and incompatibilities. What happens when such in/compatible phenomena are brought to the fore rather than hidden away in the dark underbelly of digital culture? Is their in/compatibility a threat to stability, connectivity and to the operations of socio-technical systems more broadly? How do these unresolved tensions and paradoxes of media technologies continue to impact experimental artistic imagination and research practices?

BLOG: http://darc.imv.au.dk/incompatible/
DOWNLOAD: http://darc.imv.au.dk/worldofthenewspaper.pdf
PUBLISHERS: transmediale/Digital Aesthetics Research Centre, Aarhus University
DESIGNERS: Manuel Bürger, Timm Häneke, Till Wiedeck
EDITORS: Geoff Cox & Christian Ulrik Andersen
CONTRIBUTORS: Christian Ulrik Andersen, Cesar Baio, Tatiana Bazzichelli, Zach Blas, Morten Breinbjerg, Geoff Cox, Lina Dokuzović, Jacob Gaboury, Kristoffer Gansing, Baruch Gottlieb, Jakob Jakobsen, Ioana Jucan, Dmytri Kleiner, Thomas Bjoernsten Kristensen, Magnus Lawrie, Giannina Lisitano, Aymeric Mansoux, Alex McLean, Rosa Menkman, Gabriel Menotti, Andrew Murphie, Jussi Parikka, Søren Pold, Morten Riis, Lasse Scherffig, Cornelia Sollfrank, Mathias Tarasiewicz, Tiziana Terranova, Marie Thompson, Nina Wenhart, Carolin Wiedemann, Siegfried Zielinski.

TI Alumnus Behailu Bezabih at FACE2FACE

Face2Face

FACE2FACE ethiopian contemporary arts

January 27-29, 2012: Exhibition – FACE2FACE, LeLa Gallery, Addis Ababa, Ethiopia.

For three days, Friday January 27, Saturday January 28 & Sunday January 29 LeLa Gallery will host a unique exhibition of original artworks taken from the FACE2FACE exhibition currently on display -High Definition Prints- at the African Union on the occasion of the AU Summit.

Commissioned by the European Commission and BOZAR, Brussels, FACE2FACE features recent works by Tewodros Hagos, Tamrat Gezahagne, Mulugeta Tafesse, Mulugeta Gebrekidan, Michael Tsegaye, Ermias Kifleyesus & Behailu Bezabih.

Curated by Leo Lefort this exhibition has been conceived as an open dialogue between audiences, artists and institutions. Upon the invitation to ‘invade’ the pavilion conceived by visionary architect David Adjaye and independent curator Simon Njami, FACE2FACE participates supremely to the incremental platform, by opening a space for seven Ethiopian contemporary artists.

JANUARY 27, 28 & 29 from 10.00am to 7pm.
Meet the artists at LeLa gallery on Saturday @ 4pm.

More info:
Atelier Art Gallery 
LeLa Contemporary Art Gallery

Transart Collective / Connecting the Dots

Astrid Menze

The Transart Collective consists of a group of international artists collaborating with regional artists on projects through digital media and technology. The exhibition speaks to the notion that artists can come together locally and globally, connect and share ideas, issues and themes. This becomes increasingly apparent with the advent of technology and social media. Video and photographic works from this collaboration will be featured in The Cube and BMO Open Gallery. Following the exhibition at the KAG, Connecting the Dots resumes at the Arnica Artist Run Centre with an exhibition of additional collaborative works.

Curated by Tricia Sellmer and Craig Willms, KAG Assistant Curator

Transart Collective
Connecting the Dots

March 24 to June 9, 2012

The Cube and BMO Open Gallery
More Info:

Calendar

KAG


Image Credit:

Astrid Menze
still from all inclusive HERE | THEN | THERE | NOW, 2010

 

 

TI Advisor Duba Sambolec at Galerija Škuc

Dubravka Duba Sambolec

Duba Sambolec / Situation Report
26.1. – 24.2.2012
Škuc Gallery

On Thursday, 26th January 2012, at 7 p.m., the preview of the show with the artist, Duba Sambolec. On Wednesday, 8th February 2012, at 6 p.m., the artist talk with Duba Sambolec.

On Thursday, 23rd February 2012, at 6 p.m., the panel discussion with the artist, Duba Sambolec, the curator, Urška Jurman, and the Artistic Director of Škuc Gallery, Tevž Logar.

 

More info:

Galerija Škuc

ArtFem.tv

Art Review

TI Student Dianne Smith at Piedmont Arts

Dianne Smith Surface & Soul

 

Dianne Smith: Surface and Soul
Jan 14 through Feb 25, 2012 – Hooker Garrett Gallery

Surface and Sould is a special installation exhibit by Dianne Smith. In addition to paintings and sculptures from her previous collections, Smith’s exhibit will include a custom sculpture created on-site to fit the unique characteristics of the Piedmont Arts galleries and an interactive homage to the Civil Rights Movement constructed by Smith using images and historical documents on loan from the collection of Reverend Thurman Echols.

Often compared to that of Richard Mayhew and Norman Lewis, Smith’s work has the ability to incite emotions with lush palettes and expressive brush strokes. “I am called upon to create my art in response to the events, circumstances and times of the world around me,” says Smith. “Whether it is the plight of women and children around the world or the tragedy of a natural disaster or a conversation with a friend. I am able to create from the now. I use my work as a way to share information by connecting it to socioeconomic and political issues.”

More info:

Dianne Smith

Piedmont Arts

Exhibition Photo Gallery

 

TI Student Stephan Takkides at New Horizons: Landscape and the Contemporary Romantic

Stephan Takkides, "Map of Doggerland", 2011, Web-based map

The art of romance is marked by a radically subjective approach. For this reason, they probably still exerts an unbroken fascination for artists. Especially in the contemporary art continue to show reflections of the romantic movement after 1800.

10 positions of international artists who feel the spirit of Romanticism are closely linked, displayed at the art space t27. The subject of landscape is the common starting point of the particular approach that extends from the quote in the sense of an homage to conceptual implications. Plays the romantic conception of the sublime notions of infinity and just as important as the idea of ​​landscape as a carrier of human emotions.
A special feature of the collection is that each artistic medium to another position (drawing, printmaking, video, painting, etc.) uses.

Participants:

  • Bjarte Alvestad
  • Cornelia Brintzinger
  • Sarah Jane Gorlitz and Wojciech Olejnik
  • Jens Hanke
  • Jane Hughes
  • Randi Nygård
  • Munan Øvrelid
  • Rebecca Partridge
  • Katie Paterson
  • Stephan Takkides

Curated by Rebecca Partridge and Randi Nygård


More info:

Facebook 

Kunstraum T27

January 18th: Internet on Strike Against SOPA and PIPA Legislation

January 18th: Internet on Strike Against SOPA and PIPA Legislation

Artists!

The US Congress is about to pass an internet censorship bill written by the copyright and corporate music and film lobbies, claiming that this bill is written in your name to “protect creativity.” The law would allow the government or corporations to censor entire sites—they just have to convince a judge that the site is “dedicated to copyright infringement.”

In fact, PROTECT-IP Act (PIPA) in the Senate and the Stop Online Piracy Act (SOPA) are backed and largely written by the Hollywood film industry, namely the Motion Picture Association of America (MPAA), which is trying to sell goods and ideas that are already free. Similar to its most well-known President, Jack Valenti, who represented Hollywood interests in Washington, and vice-versa, the current chairman and CEO of the MPAA is Chris Dodd, a prominent member of the Democratic Party and US Senator from Connecticut for 30 years.

Artists, musicians, actors, writers, and media-makers need to sign. Your statement is powerful because the corporate music and film lobbies push these laws to censor the internet in your name.

fightforthefuture.org/pipa/artists

In solidarity, the e-flux and art-agenda websites will feature a block out banner from 8 a.m. to 8 p.m. EST today, January 18. For the same reason, we have decided to cancel our announcements for the day.
INTERNET GOES ON STRIKE: ALL SITES AND PEOPLE TO GO OUT

Major sites all over the internet have gone on strike due to SOPA and PIPA, the hot-button anti-piracy legislation. Experts expect strike to last 150 seconds, and agree this is a “near eternity” in internet time.

Congress is about to pass what has been called the internet censorship bill, even though the vast majority of Americans are opposed. The Senate is scheduled to vote on its version of the internet censorship bill on Tuesday, January 24th, and unless there are 41 senators to voice their opposition to allowing the bill to proceed, it is expected to pass.

Legislation called the PROTECT-IP Act (PIPA) in the Senate and the Stop Online Piracy Act (SOPA) in the House are purported to be a way to crack down on online copyright infringement. In reality the bill is much broader. It would empower governments and corporations to take down virtually any website, create new liabilities and uncertainties for web innovators, and make the web less safe. According to the varied and multitudinous reasons large numbers of sites and individuals are opposed to the bill, it betrays basic American tenets, such as free speech, prosperity, and national security. On top of all that, cybersecurity experts say it wouldn’t stop copyright infringement.

The legislation is backed and largely written by the MPAA, as they have said in media reports. They have also spent millions in lobbying dollars to pass this legislation.

is.gd/wuZp2S and maplight.org/content/72896

To see the bills, go here:
www.opencongress.org/bill/112-s968/show
www.opencongress.org/bill/112-h3261/show

NOW, IT’S YOUR TURN TO TELL CONGRESS NO TO WEB CENSORSHIP:
CALL (202) 224-3121

 

WHAT’S WRONG WITH SOPA / PIPA?

Free Speech
Takes down hosts of content and legitimate free speech. The legislation is overly broad and could block some of our favorite websites to Americans only over just one claim to an infringing link posted by users.

The Economy
Creates massive new legal uncertainties and liabilities for web startups, stifling job creation in our most vibrant sector. As 54 leading tech venture capitalists wrote to Congress, the censorship bills would, “stifle investments in internet services, throttle innovation, and hurt American competitiveness.”

Security / Privacy
A web security initiative that has been in development for more than a decade and is just beginning to be implemented, DNSSEC, would be illegal under the bill. The DNS filtering and anti-circumvention provisions in the bill would force a huge step backwards for securing critical national infrastructure from cyberattacks, preventing online identity theft, and stopping the spread of malware.

Copyright Infringement
People that want to share copyrighted content online would still be able to. To get around DNS blocking, all you have to do is enter the IP address of a website into your browser’s url bar.

Learn more:
americancensorship.org is supported by Public Knowledge, Electronic Frontier Foundation, Free Press, Wikipedia, Creative Commons, Fight for the Future, Participatory Politics Foundation / Open Congress, Center for Democracy and Technology, MoveOn, Cato Institute, Don’t Censor the Net, Urban Dictionary, 4chan, Wikimedia Foundation, Mozilla, Demand Progress, Free Software Foundation, and see more at americancensorship.org/supporters.html

The bill is opposed by:
CEO’s of Huffington Post, Google, Twitter, and thousands and thousands more. To see a full list, go here: http://www.cdt.org/report/list-organizations-and-individuals-opposing-sopa

SOPA becoming election liability for backers
To the ranks of same-sex marriage, tax cuts and illegal immigration, add this to the list of polarizing political issues of Election 2012: the Stop Online Piracy Act.

The hot-button anti-piracy legislation that sparked a revolt online is starting to become a political liability for some of SOPA’s major backers. Fueled by Web activists and online fundraising tools, challengers are using the bill to tag its congressional supporters as backers of Big Government—and raise campaign cash while they’re at it.

Among the fattest targets: SOPA’s lead author, House Judiciary Committee Chairman Lamar Smith (R-Texas), and two of its most vocal co-sponsors, Reps. Bob Goodlatte (R-Va.) and Marsha Blackburn (R-Tenn.). House Budget Committee Chairman Paul Ryan (R-Wis.) has also felt the wrath of SOPA opponents.

Even GOP presidential contenders Mitt Romney and Rick Santorum were asked by voters recently to weigh in on the bill (neither gave definitive answers, though activists have interpreted Santorum’s response as more sympathetic to SOPA than Romney’s).

KEY POINTS ABOUT SOPA / PIPA

  • Leading constitutional scholar Laurence Tribe and internet law expert Marvin Ammori have argued that the bill violates the First Amendment because they would restrict considerable speech by people who are not engaging in infringement, either directly or indirectly.
  • 54 leading internet venture capitalists have signed a letter stating that legal uncertainties under PROTECT-IP would “stifle investment in Internet services, throttle innovation, and hurt American competitiveness.”
  • Contrary to its supporters’ claims, the bill will affect domestic websites. Any site that can be shown to enable circumvention of website blocking under the bill would face penalties. This could include sites where users have posted links to IP addresses or new domains for sites that have been blocked.
  • The bill would use DNS filtering to block sites, which is the same technique used for web censorship in China and Iran. The U.S. will no longer have a moral high ground when talking about protecting internet freedom globally.
  • An internet security initiative that has been in the works for more than a decade and is just starting to be implement, DNSSEC, would be considered an illegal circumvention tool under the bill. The DNS filtering and anti-circumvention provisions in the bill would force a huge step backwards for securing critical infrastructure, preventing identity theft, and stopping malware.
  • The bill has not received sufficient committee work and is not ready for floor action. The bill did not receive a single hearing and the mark-up session held by the Judiciary Committee on May 26th lasted less than 8 minutes and featured no amendments and no substantial debate.

Published by internet sites around the world. to get more involved see americancensorship.org

 


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